His Royal Highness, King Baby by Sally Lloyd-Jones and illustrated by David Roberts is a royal twist on the classic tale of sibling jealousy. The main character, the sister, imagines herself as “the most beautifulest, cleverest, ever-so-kindest Princess with long, flowing wondrous hair,” whose ENTIRE LIFE is ruined by the birth of her baby brother, His Royal Highness, King Baby. The sister complains that the baby takes all of her parents’ time as they celebrate each of his ridiculous milestones. The innocent sister is (in her words) left to completely fend for herself, even though the illustrations don’t quite back up her dramatic viewpoint. The baby is constantly shown as an angelic, pudgy figure surrounded by unicorns and rainbows. The sister glares from the background, her jealousy apparent throughout the text. The illustrations include the Princess’ doodles, which depict her little brother in the way that she sees him – an annoying, smelly monster. For his first birthday, the entire family pours in to celebrate, leaving the Princess alone. She finally plans to dress up as a fairy and break the spell of King Baby. However, just as she enters his palace, he starts crying inconsolably. After everyone else in the family gives up on comforting him, she is able to quiet her brother immediately. They finally bond, and the Princess includes King Baby in all of her royal decrees and adventures. She still sees herself as Princess Big Sister at the conclusion of the book, but she’s definitively okay with having a brother.
My favorite part of this story is that the sister does not have to give up her princess identity in order to accept her brother. Instead, she includes him in her royal escapades. I think this is a good lesson for children that may have trouble adjusting to a new sibling. It shows that they don’t have to change themselves in order to be similar to, or stand out from, the new baby. They will be loved and appreciated regardless. The illustrations in this book highlight several interesting perspectives. The mother is drawn much like a queen, with a fancy dress and curly hair, while the father is typically shown in normal, casual clothing. I think this reflects the mother’s role as Queen of the Household and mother of the royal sister and brother. Additionally, the mismatch between the sister’s drawings/narrative and the illustrations is a fascinating difference to point out to readers. While the sister claims that she is left to make her own breakfast, the illustration shows her being handed a plate of eggs and fruit. Later on in the book, her drawing of the breakfast scenario appears. She is crying, holding a plate with a single egg that she supposedly was forced to make by herself. A cute detail throughout the story is the sister’s pet gerbil, who appears on most pages. This element contrasts the lavish royal lifestyle with the normalcy of having a pet like a gerbil. This mix of moods makes the illustrations more complex and visually appealing. Overall, I would recommend this book to any parent whose child is having trouble adjusting after the birth of a new baby.