Pattan’s Pumpkin: A Traditional Flood Story from Southern India
Chitra Soundar and Frané Lessac have adapted a traditional Irula story to make it more accessible: turning the traditional churraka into a pumpkin and highlighting the story’s universal themes.
The story does, not, however, abandon its cultural roots. It is authentic in its language, retaining the Indian names Pattan and Kanni and placing the tale at the base not of any old mountain range but of the Sahyadri Mountains. Pattan and Kanni are illustrated with the characteristic dark skin of the Irula people and are dressed in traditional garb. Soundar also does not shy away from describing the details of Pattan and Kanni’s way of life as they grow pepper, rice, nutmeg, and bananas; ride elephants; and nurture animals in the foothills of South India’s mountains. As any culturally diverse book should, Pattan’s Pumpkin presents its characters positively: clever, resourceful, grateful for what they have, kind, and willing to share. These characteristics not only help children understand cultures beyond their own as positive but also model values for the children themselves!
Lessac’s pictures are as bright as the spirit of Pattan himself. The colors – oranges, yellows, reds, greens – pop off the page and bring the story to life. The use of full-page spreads accentuates the size of the pumpkin, sure to make any child shriek with shock and delight, and the landscapes are rich and vivid in their scope.
Lessac’s spread toward the end of the story is lush green and deep black, dotted with every color in between. A picture does not do these colors justice!
Pattan’s Pumpkin comes together to tell not only an entertaining, engaging story but one that is valuable in any lesson on geography, history, culture, or even religion.
Based on a true story comes the picture book The Water Princess by Susan Verde and illustrated by Peter H. Reynolds. Taking place in an African village, Reynolds’ illustrations cause us to feel the sand underneath our bare feet and the approaching sunrise whispering over the horizon. However, it is Verde who turns us into a Princess, or more specifically into Princess Gie Gie, a young girl who despite her wonderful array of powers—which includes taming wild dogs, dancing in the grass and playing hide-and-seek with the wind—cannot bring the murky, and faraway, water any closer to her village.
And it is this combination of delicate prose and stunning artwork that we begin to feel Princess Gie Gie’s thirst. However, while I, the reader, can easily get up and grab some Dasani from my fridge, Princess Gie Gie and her Maman must wake up before sunrise to go and get water from a well.
However, even after the journey to get the water ends, the relief is only short-lived as Princess Gie Gie is reminded that she must once again make the trip to the well in the morning. The heartfelt ending reminds me of how fortunate I am to live in a place where not only is most of my water clean but rather easily assessable as well. With the promise of “Someday . . .” Princess Gie Gie reinstates within us a fiery burning dedication to our homes, one so strong that no amount of my crystal clear Dasani will quench.
Note: This book will be released September 13, 2016. We hope you read and enjoy it!
Post by: Stephanie Thompson